“What do you want?” A trivial criminal is angry at Ruth Kimi (Melanie Lansky), who is located in the middle of the strange slope in the heart of the new movie I no longer feel at home in this world anymore. Ruth thinks for a second. “So that people are not silent!” She responds, which looks good at the screaming of the battle such angry, polarized times. Ruth is suitable for combating the 2017 hero: she is depressed, and she has been considered a foregone foreground in her job, and she has no idea about where her dissatisfaction is directed.
So when they are leaked, it contains all kinds of unintended consequences, some comedies and others. The first movie of Macon Blair, I no longer feel at home in this world anymore It is a piece subject to the new light that flounders between the gentle comedy and shocking violence easily-a mixture that helped it win the jury award at the Sandans Film Festival for this year. The film, released on Friday, on Netflix, is based on Blair Ain for The Gruesome, which was definitely picked up as a representative of projects like Jermy Saulnier’s Gory Green room. At its best, Blair’s movie is like Blood is simple I crossed with the three stooges – a smart story with revenge, one of the most incompetent, based on the offers that were shattered with the anger of the idiot.
The protagonist, Ruth, a nurse who lives a fairly boring life in a town whose name has not been revealed. Blair is particularly concerned with focusing on small details that are not important that she weighs clearly, whether someone is cutting in front of her in the supermarket, or a local dog that is constantly used as its front pattern as a bath. When the Ruth House is stolen, it appears that losing its property matters less than the tremendous discontent of this issue. Local policemen make more than just a report, which led her to make a decision to take the matter in her hands.
but I no longer feel at home in this world anymore Less like Joel Schumacher Fall It appears, at least for most operating time. Ruth task is largely focused on finding its purposes in the local paid stores and restoring them; It is more interested in restoring a little pride than finding its laptop. She activated her strange neighbor, Tony (which Elijah Wood plays) as a backup, attracted (if she feels disgusting from) his story in allowing his dog to defecate her property.
Tony is the type of neighbors who may try to avoid interacting with a lot if he lives near you; It has a group of Nunchucks and Ninja stars but a little social efficiency. But he proves that he is an ideal companion for Ruth, and he is keen to use her pursuit of some justice that cannot be ineffective as an outlet for his limitless anger. They are a strange couple from the heroes who wander, and there is a dark, attractive thing about watching them runs a amok. Ruth finally believes in some small moments of simple victory – that is, until you meet the parachute perpetrators to steal them and things really descend into chaos.
Blair began as an actor working with his childhood friend Saulnier, the independent American director who publishes the experience of very realistic and shocking scenes in films like Green room and Blue ruin. So I no longer feel at home in this world anymoreThe nightmare rotation ultimately is logical, and there is definitely something that can be said to the blood presented. But as the movie continues, it is difficult to know the type of the largest point in which Blair looks to make. Is Roth in the modern era? Travis PickelLikewise, angry than society, but less skilled in resorting to violence? If so, her heart does not seem to be at a time when the risks become really fatal.
I no longer feel at home in this world anymore It is the most effective like angry Champolic comedy, and it is the image of a strange friend of the Luski and the friend who sees the previous character scattered in brutal selfishness and the other is a rare opportunity in a natural human friendship. It is less interesting as a great movie, but the end is unforgettable and Blair’s skill in directing the work is indescribable. However, the film may work better at all as an unexpected acting in the case of American ethics in 2017 – as a story in which the real villain is the collective lack of humans to sympathy.