R.Ho Bong John Ho, who was made by Korea Bong John Ho, has made his first Oscar -winning parasite six years ago, a great science fiction, great, few borders. Bong was adapted from Edward Ashton Mickey 7, starring Robert Pattinson as a heinous, vibrant factor in eternal life, or eternal death, by killing him over and repeatedly in the service of space exploration company that performs serious functions in a fatal way and then reincarnation.
It is a wide future spelling for brushing on the theme of Elon Musk Type Tech, which says that the whining of the environment is intended for the environment because we all will be released soon, as there should be viable planets somewhere, any, and any. The existing foreign population can inhale – as already with working people who take us into new worlds.
Mickey 17 is something in the Snownpiercer style (2013) or OKJA (2017), and Reblex “The Makers feature” from Bong is an angry style that was enjoyable in the past. Mickey 17 visually amazing, with some sharp, corner moments of heirs and horror – perhaps definitely, this comes in the first verb when the shocking hypothesis is created and before the story turns more sympathetic. But within two hours and 17 minutes, this is a loose and sometimes loose film for its narrative children at times; Panto-Villain from Mark Ruffalo and Toni Collette sometimes turns, it doesn’t seem-not clear, in fact-like a private children’s TV.
Pattinson plays the role of Mickey Barnes, the unhappy loser who owns money for terrifying loan sharks, along with his commercial partner on an equal footing in Timo (Stephen Yun). To escape from these fools, Mickey and Timo logged into a journey between the dangerous planets around which the creeping peoples revolve with shiny teeth and rear hair: Kenneth Marshall (Rovalo) and his wife, his lady Yalva (Colette); They reminds us of Bong’s clear interest in Rield Dal.
They explode in space where Mickey agrees with the poor and idiots to be a “consumer”: he must do all the dangerous suicide functions because when he dies, only his body is eliminated and biotic with all memories and the character was reinforced – something that Mickey accepts with hasty modest. The crisis comes at a time when the ship is approaching a possible planet. The residents of the “creeping”, such as giant giant insects, must be exterminated,; Micky himself, in his seventeenth embodiment, is in love with his colleague in the crew Nasha (Naomi Akki), but things are complicated when Mickey fails to die as expected and he must live alongside a new version – Mickey 18, “repeated” ruthless and violent Like Mickey 17 cute and gentle.
It is a strange story on its way, such as the horror of science fiction in which all horror was removed, as well as all ridicule and pessimism. Despite all the strange violence and its total display, the Mickeny has 17 types of optimism that works against fear, and we can eventually feel the end-although with this operation time, it is out of money. However, there is a strange moment when one of the creeping creatures appears to absorb the face of the Echoes of Ridley Scott’s alien is a reminder of something smaller and more darker.
Perhaps the most interesting part of the movie is something that Pong spends at least: the fact that Micky knows something the rest of humanity is ignorant. The crew continues to ask him: How does it seem to die? Is it a feeling, experience? Do you remember that after that? He had 16 times. He definitely knows this answer now? Or is Mickey who dies forever die Mickey is unaware of this topic like anyone else?
Pattinson’s bell looks a mysterious thing to this role, but during the years Bong, Tom Hanks can throw him and encourage him to go to Forest Gamp position. It is strange and amazing – but it is also unexpected.
Micky 17 shows at the Berlin Film Festival and opens in the United Kingdom on April 18