R.A British British writer and independent filmmaker Chris Betit, a dilapidated classic creator such as radio from 1979 and an inappropriate job for a woman from 1982, may not be easy to obtain an outlet for his work; This seems to be his first 15 -year balance. But he and the co -manager, editor and partner Emma Matthews emerged with a deep personal movie: painful, complex, attractive and attractive.
Petit, Matthews RIFF and Free-Associty on memory topics, memory loss and animation on video and cellular, but in the middle of this an urgent story of their private life. In the first teenage, their 22 -year -old son Lewis began a talented artist and musician, to obtain epileptic seizures that eliminated his childhood memories; Some of these were the type nicknamed the “Alice in Wonderland” syndrome due to the misconceptions of time and space – although these were frightening, repressive and brutal experiences completely different from Luis Carroll.
The non -heart medical bureaucracy in the United Kingdom was unable to help, so that one of the advisers advised Lewis’s parents simply to “sadness over the child who was in the past.” But the medical hashish of the type NHS rejects it, which now means its source in Europe, means that its tips have stopped, although the payment of its price is still a constant source of concern.
Using an educational novel from a third segment read by Judhi May, and the home videos taken by Lewis’s parents, which shows the annoying reality of his seizures, in addition to clips from early cinema, Bettit and Matthews are trying to negotiate a creative way through this torment, related to Louis’s brave association with his personal history other than Complete for their continuous projects, and made Lewis the story of their psychological geography.
Petit appears to be working on a film project that links mysterious worlds of American author William Borruz and Jesus Anglone, head of the post -war intelligence agency – and now continues with them. Boroz moved on the concept of “pre -registered universe”, a major tape of reality somewhere beyond our immediate perception, which our actual experience is fragmented versions and reorganization, and this may already be linked to Lewis’s experience. With his hat and glasses, Petit looks like Borose.
As for Angleton, the dark number was behind all kinds of hidden black operations and dirty tricks, including experiments in LSD-and this, too, hesitates in the echo of Petit for the pharmaceutical pharmaceutical complex that let his son let him down. It must be noted that Petit’s interest in conspiracy theories is a pre -Maga formed forms of innocence, which is the type 2 JFK type of its kind not of the type VAXX, although I am not sure that I agree when the movie narrator says, “Knowing everyone” knows ” He knows that “big medicines” in deadly addiction works. Those who are happy with our anti -mourning vaccinations take a different view, but of course the narration is not directly the director’s voice.
The film shows us Chris and Louis on trips together to Finland and the frozen north, outwardly to scouting sites, but perhaps also – or in reality mainly, or only – as an interconnected exercise, is part of the continuous re -communication. It is a family and emotional image.