Bob Dylan He has a strange relationship with the 1960s – a training figure in the development of the anti -anti -Atlantic culture, inspired it, then left from it, the popular revival. The experiences of driving songs are clear in the songs that highlight-no one follows a path that others enjoy, tends to challenge expectations at each turn.
So it was in 1968, when Bob Dylan – who returns after the forced absence from the spotlight – chose to speak to the influential American publication. Basically, the internal system of popular revival, the interview touched on its ideas about the book of contemporary songs.
By looking at Fab Four – who has already met him once or twice at this stage – Dylan said that the Beatles “works more with studio equipment, it takes advantage of new audio inventions in the past year or two years. While I don’t know anything about it. I just I am. I do songs and this is all.
These statements are practical by his contemporary work – the austere “John Wesley Harding” and “Nashville” miniature.
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It is strange that Bob Dylan had warm words to Incredible series – A Scottish collection formed, opened popular effects on the world, and really produces narcotic music in this process. At that time, ISB was recruited as psychological funds, with Sir Paul McCartney corrected from their album “The 5000 Spirits or onion layers” One of the best in 1967 was to present.
Speaking to singing, Bob Dylan verified the “October Song” of an incredible band in October. The Beatles was “with its poetic heritage, while the incredible series of a series that wrote this” October Song “… was very good.
He added: “As a final song, it’s very good.”
It is definitely the choice of the center’s left-but Pob Dylan may have been pulled to the public pursuit of the song …
I will sing for you, October
Oh, there is no song before that
Words and melody are not from my country
For joys and sorrows tolerate
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