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How to solve today’s problem? This is the question that therapists often ask people with a wide range of life shocks. Do not escalate in the past, do not try to fix the future, try to solve the problem today. It is a talisman walking in Netflix TeenagerDrama of four parts view the repercussions of an unimaginable crime, and many of the day that must be solved, over and over again, as a result.
It seems 6 am in a normal morning. Natural, that is, even the armed police, led by De Baskumb (Ashley Walters) to a family house and arrest a 13 -year -old boy, Jimmy Miller (Owen Cooper). His parents are watching, Eddie and Manda (played by Stephen Graham and Christine Trimorco) in terror, where their young boy is dragged into the local police station, and he is treated and placed in a cell. Jimmy is suspected of killing a schoolmate, and Eddie, as an adult adult, and a lawyer, must face the evidence that the police gathered against him. It is the madness of a nightmare, as the Miller family moves from its pocket from calm in the suburbs to fear, expanding and revealing the investigation of the killing.
It is an amazing opening. Each of the four episodes of the show was filmed in a continuous one, a technique that its star Graham (who participated in the creation of this project with a very busy writer Jack Thorn) was filled and director Philip Barantini in the movie 2021 boiling point. In the actual time, we see the Miller family from the moment when the police enter their home, to the terrible presentation, less than an hour after the smoking pistol in the authorities against Jimmy. Confusion and tension are clear, as well as a feeling of sadness. “I hate cases of events,” says a jimiced nurse, after a Jimmy understanding of his situation. “Nobody loves them,” the desktop is replied. However, everyone does their work systematically, as the camera swims throughout the station to capture Minutiae from the arrival of the Jimmy station to the judicial system.
This is the first day. The other three episodes are spread in the year and a half next year, with the progress of the investigation. Pascomb and his deputy DS Frank (Fay Marsai) visit the victim’s school; Jimmy was evaluated in prison by Psychologist Bruye Eryston (Irene Duhreti); Finally, Jimmy’s call comes on Eddie’s fifty birthday. None of these rings is pleading with one shot technique in the same way that the first does. In fact, they sometimes feel suffocated by this, because the criminal justice system is iceberg, and rarely works in kinetic openings for an hour. This makes the series feel a recovery: the first talented episode that attracts you in the intestine, followed by three episodes that feel more educational. After all, the first hour of Jimmy prison is a natural starting point, but what does the creative decision tell us to focus on the third day, seventh or thirteen months, about the story?
It seems that Graham and Wrinin want to put accusations against Jimmy in the context, family and social. Words such as “Incel”, “Manosphere” and “Red Pill” are published quickly (“Andrew Tate Shit”, the rule of DS Frank). At home, his parents deal with their guilt; The guilt focused on their son much more than his victim. “He was in his room, right?” Despair is Eddie. “We thought it was safe.” It is a difficult but miserable hypothesis, in which no one has a blaming share. Violent women in Britain schools are thumb, families blind about Internet activities for their children, and parents who hand over destructive features. We are all part of the problem that leads to James, and leads to the death of children from knife wounds in empty empty parking.
Cooper’s performance as a very capable accused, which changes the audience’s sympathy for Jimmy. The bilateral episode that shares it with DOHERTY is concerned but convincing, and the chain (Graham, again, is most likely, the forefront) is Masterclass (this sets aside the restrictions imposed on one technology). The same episodes are more than a mixed bag: School investigations feel very similar to the standard police Grang HillWhile the presentation decision feels respectful towards despair. It is a thin line when creating an offer that imagines the real experiences facing real families, between Enam sympathy and misery. and TeenagerThis line is sometimes blurry.
However, there is no doubt about the severity of that first episode. It is a TV in the purest distillation: not to get rid of the pulse. It meets all of our magicians obsessed with crimes at the extreme strange limits, and a feeling of revealing an ethical knot. The fact that the rest of the series cannot match these highlands is a problem and a testimony to the impact of this opening match. Never less good, Teenager Maintains roughness makes it a difficult but mandatory watch.