There is some pillar for the concept of Osgood Perkins’ Gory The Monkey (2025), although the results are definitely chaotic. It is based on Stephen King’s short story of 1980 with the same name, which features a designer Satanic game-has been changed in the Perkins version, due to copyright problems with Disney, to Drams-that when his key turns, his key is attached to it. It ends on its chosen victim. Packed with deadly blood serials in the final destination form, the riot chaos that was presented in the life of the protagonist is a useful symbolism of the inability to predict the tragedy.
These short stories in King (which total about 200) caused countless modifications – from Horror 1408 (2007) to The Adaptation King, which is Maximum Overdrive (1986). This type is subject to a simple accuracy and economy in words, and briefly provides one idea, unlike its unpopular counterpart-the novel. Most of the time, you drink short stories with a feeling of ambiguity due to what was left without pay, allowing film factories with a degree of freedom to fill the gaps.
It can be said, that there is a natural result between the fate of the two artistic models: the short story boom as the production of publications accelerated – stories coincided everywhere in the magazines – with the dawn of filmmaking. With the arrival of the monkey UK Screen, we have chosen 10 adjustments that make a lot skillfully with a little.
Monkey in cinemas as of February 21, 2025.
Raise the child (1938)
When Carrie Grant’s fiancée at the beginning of this escape from Zany Screwbal asserts, “Our marriage should not require any local tangles of any kind.” You think it is unlikely that these family obligations also require the construction of the small tiger. But this is the main imagination of Howard Hawks’ Big Cat Caper, where the permissible “Baby” is cats.
Participated in his Hagar Wilde from the story of the short magazine, with the help of Dudley Nichols (previously recruited in the work of John Ford), and the treatment of the story to keep up with the Grant character, the science of ballet scientists, and the tiles played by Catherine Hepburn, which enters into a variety of scratches . While drowning at the box office, the movie strengthened Grant and Hepburn’s stand as a couple on the screen – a championship in a trilogy of the pictures together, this film represents his amazing, amazing spirit – and started the profession of writing the new scenario in Wilde.
The fallen idol (1948)
Its producer Alexander Cordarda presented it to Graham Green – by the 1938 gang novel, Brighton Rock and the twentieth century, Carole Reed will start the cooperation of two cooperation with the writer. The first was the “The Basement Room” from the first Green Group: She was appointed to the French Embassy in London, as she gives a look at what happened before a bad woman stumbles in the great stairs of the building.
Starting with the boy’s ambassador, he is heading to official duties, Green’s scenario throws Philip (the star of the child Bobby Henry) among the columns opposing his arrested commanders and Mrs. Pines. Philip does not know that the foundations of their marriage collapses, while Mr. Baines has a relationship with a woman who believes the child’s daughter Baines. The intelligence of Green’s story lies in how adults are broken by the child’s perception, and under the direction of Red it reveals as the TERSE room.
Racomon (1950)
Director: Akira Korosawa
The book has long been mines with the lack of reliability of the narrators to their end. In the cinema, for example, the transmitted masterpiece of Akira Korosawa, which connects many observations on the same series of events to show the alteration of the vision act. This is supported by innovative and innovative cinematography in Kazuo Miiagawa. The least famous is the story that Racomon – not, is misleading, the story of Rionusuki Akotagawa with the same name, but “in Bustan”, was printed for the first time in 1922.
The an adhesive that connects a wide range of characters together is the samurai slaughter. It has been killed that cannot be refuted, but uncomfortable for the authorities, no one can agree on the exact circumstances surrounding them. It was filmed by Corosawa under World War II, and while Japan was still under the American occupation, Racomon hopes for the nature of the truth as the amended country with its nearby past is particularly strong.
Fly (1958)
The dismantling of two loyal adaptations and a complete Fly series, the 29 -page George Langean story is a major example of long -running pieces. Perhaps the west of spinning may be committed to Playboy magazine pages, and German director Court Newman discovered this amazing terror in 1957.
Despite its modest assets, the fly was better than model B movies (although its production by B-MOVIE was released by 20th Century Fox instead of RGAL films). The Vincent Price leadership also raised its previous roles in just the type films. With a story that may be inspired by plastic surgery in Langlian during World War II-its appearance was changed so that it can.
Birds (1963)
Director: Alfred Hitchcock
The famous Daphny de Moriere, which Alfred Hitchcock took, despised the source of the source, cultivating her story from the Cornwall rough coast to Bodga Bay and transferring her characters from the people of the sincere countryside to the residents of the polished city. This feature did not decrease well with critics as well, Philip K. Sheuer as the “hateful” of Alfred Hitchcock “to the entire human race.” Hot Psycho (1960), Hitchcock’s output had hit a terrible line.
However, there are interesting echoes that can be found in the departure of the director from his brand movie in favor of horror, and the change of de Moriere at this stage of her career. The author had previously formulated his reputation with romances such as Frenchman’s Creek, Jamaica Inn and The King’s General, but with her collection, the apple tree turned into a catastrophe with a written size. One of the horrific environment thesis that was released one year after the Silent Rachel Carson Environmental thesis, has proven incredibly Hitchcock adaptation.
Blowup (1966)
Director: Michael Angeloni
A whistle tour of the 1960s-including photography of fashion, drugs covered by drugs, and Rock’n’r’ll-Michelengelo Antonioni’s OPUS models of Argentine writer Julio Cortázar. “Las Babas Del Diablo”-which was titled “Blow-up” later with the movie-inspired by a common story with Cortazar by Chilean photographer Sergio Larane. Distribute the spirit of culture in the 1960s, a major group of actors, models and characters from the star, including Vanessa Ridgrif, Wittbers and Jin Birkin. Even Cortazar himself in short.
Under this loud surface, though, there are more evil forces at work: a potential love triangle, a corpse and a corpse that is not lended to the central character, Thomas, to the police, bent on my increasing existence on the second film half.
MEMENTO (2000)
Director: Christopher Nolan
The newly captured Polaroid image opens Bassi Christopher Nolan, the second Nuwairian feature – a picture in the form of what appears to be the crime scene emerging from the shadow – determines the criterion to follow the confusion. The disintegrated concept of a man with a loss of memory was at the mercy of the conflicting commandments of those who were manipulating him, dreamed of by the brother of Nolan Jonathan, who told the director the idea during a brother’s trip.
Technically, the last story of Nolan did not end, so – unusually – writing and adaptation occurred side by side. The brothers together clarified the logic of the maze from a conspiracy that moves simultaneously forward and in the opposite direction, and unified Nolan’s job obsession with time mechanics. The younato Mori is later published in Esquire, while the slim Memanto, who was not able to secure the distribution, prepared the director.
BrokeBack Mountain (2005)
It is rare for a short story to boast about the “BRKBACK Mountain”, which extends to Annie Brolos-Proulx that it took twice as long as to write the story as I did to the heart of a novel. But the size of this novel interferes in its sense: the interrogation of homosexual phobia, as Brollx called “the pure, pure cowboy”, focuses on two men torn by society’s violence.
It was filmed in the huge Canadian Rocky (instead of Wyoming, where the original occurs in the New Yorker Journal), despite the emotional explosion of this story, there is a great control in the cinematic filming of Rodrigo Brito and speed. Heath Leidger and Jake Gilnahal also walk on the rope of feelings between emotion and precaution. Proulx was doubtful in adapting it, but she later said: “Maybe I might Be the first writer in America to have a piece of writing to make its way to the entire and complete screen. “
Windy and Lucy (2008)
Director: Kelly Richardt
Slow cinema and short stories make the perfect conjugation, as the coalition has long been proven by Jonathan Raymond and Kelly Richardt. The director’s majestic situation and the writer’s interest in the atmosphere is a non -Bari mix. Oregon Richard State writer gave its basis in the northwest of the Pacific-the photography site that she is now famous-after they met through former Raymond President Todd Heinz, and soon they found their foot with a 2006 camping drama modified.
Windy and Lucy, Reichardt’s TRAGIC ROAD, followed by the movie: The Nomad Wendy, travels north to Tondra Alaska on the promise of work, and her companion in puppy Lucy. When Lucy is lost along the way, the rest of Windy’s life begins to collapse. The bones of this story may look little, but the result is gently destroyed. In addition, it includes a wonderful performance of Lucy dogs who was wandering with the palm dog.
Driving my car (2021)
Director: Ryusuke Hamaguchi
The stories of the Japanese writer, abundant Haruki Murakami, usually depend on secrets that have not been resolved, and the borders with the other world. This magic realistic current also passes through Ryusuke hamaguchi adaptation full of boredom and marginally denied “Drive My Car” of the author’s group men without women. (In turn, Murakami’s group borrows its name from the 1927 Ernest Hemingway selections, which also tell tales of inactive men.)
He often wanders in Tokyo in the dear SABB, actor and director Yūsuke Kafuku gradually through a car accident, which reveals that he suffers from a glaucoma in one eye. Meanwhile, the wife of the script writer (who always suffers from inspiration after sex) was discovered, dead in their apartment. Immediately before that, Kavoko learned that she was suffering from a relationship – leaving him a catalog of unanswered questions. The unbearable friendship enhanced by its new unparalleled driver, Cavoko, allows to recover on the wounds of the past in this strongly registered account with sadness.